The Oversized Carry-all Anticipation

Hopefully, I'll be using Comic-con to jump start my regular posting here again. For now, though, I just want to preview the new Big Bang Theory Bag that'll be at this year's con:

You can see the rest of the bags for this year here.

The Second Final Frontier

I recently viewed the latest Star Trek film for the second time. First was in the theaters, second at home on Blu-Ray, much later, much removed from all the hype about whether or not J.J. Abrams was destroying the franchise, or broke the Prime Directive, or any of that. I was watching it as pure entertainment, as a science fiction fan but also a lifelong Star Trek fan.* ("Spoilers" follow if you're actually reading this before you've seen the film).

I thoroughly enjoyed the film. Abrams played it safe - or smart - by setting his Trek in an alternate universe created when the uber-Romulan villain bounced back in time and attacked the USS Kelvin, just as one James Tiberius Kirk happens to be born. So, everything we see in this timeline is completely new and therefore free from any continuity scrutiny you can apply.

Ordinarily, a film set in the formative Star Fleet Academy years of our heroes would require - at least to the hardcore continuity buffs - a look somewhere between Captain Archer's Enterprise and Captain Pike's Enterprise as seen in the original pilot "The Cage" or the two-part episode "The Menagerie." But since the film starts with a disruption to the time stream - a huge, deadly attack by an unknown enemy that never happened in "our" Trek history - all bets are off. Assuming a greater focus on offensive and defensive power for starships after that, there's no reason to insist anything in this film has to match anything we've seen before. Only that brief scene on the Kelvin needs to fit into the original timeline,** and I'm surprised on close inspection to believe that it does:

On Captain Archer's Enterprise (left), the controls are large manual slides and hard buttons, like on a 1980's stereo console. By the time of Kirk's Enterprise (right), controls are very simple and very solid, like a 1960's cassette player. The detail of the Kelvin shuttle from the film (middle) shows nice, hard-wired type toggle switches, like a 1970's mixing board (Ok, I'm guessing on that one). To me, a believable intermediary step. (It was already interesting to note, once the original series was placed in a timeline between the movies produced in the 80s+, and "Enterprise" produced in 2001-2005, both with greater detailing to the sets, it implied there was an intentional decision around the time Captain Pike came along, to make the starship corridors very plain and straight, and consoles made up of simple hard buttons. Maybe one too many "Fire torpedoes" apps froze up when they pressed their touch screens...)

That's the really picky, tech analysis of the film. In any case, I found it very entertaining, and most of the performers captured just enough nuances of the original characters to feel true to them without just spewing bad imitations of the originals.
Simon Pegg's wry half-smile perfectly evoked James Doohan's good-natured performance as "Scotty."

It's an interesting study of the nature of "suspension of disbelief" what is the only part of the whole movie that, as a Star Trek fan, gave me pause: the size of Engineering, when Kirk and Scotty beam into it. It's HUGE.

Huge, with lots of empty space, and apparently a lot of it constructed out of concrete, as well. I know the Enterprise is big, but this amount of space looks like it should literally take up the entire secondary hull and then some. (Some of this concrete construction is seen on the Kelvin, too).

On the original series, Engineering looked big, but believable. You could at times see a couple levels, and maybe a ladder poking up higher, but it looked like it was built with an economy of space (no pun intended) in mind.

This kind of detail shouldn't pull you out of the narrative, but it often does. The truth is, they found some kind of real - world refinery or such to film in, and decided it looked futurey enough to be the Enterprise. Money saved on building a set or even rendering one.
It's not as if the Enterprise is the size of the Red Dwarf, which is established as having thousands of levels, a Huge prison system entirely hidden from the normal crew, and cargo bays big enough to dwarf T-Rexes. Anything goes there, and they often shot in real world industrial plants that looked perfectly like part of the ship.

Not that this is a review, but I enjoyed the film even more the second time than the first, and watchign it at home gave the chance to look closely for all those details of design and performance that you miss on first viewing.
Plus, you gotta love outtakes where you get to see the Vulcans crack up...

*That's, right, Star Trek fan. Not a Trekker, or a Trekkie, just a fan of the whole franchise.

**Okay, bonus points if you wanted to point out that Ambassador Spock's ship is from our timeline too, but since it's from the farthest future point we've ever seen in that Universe (and perhaps ever will?) it's safe from scrutiny too.

I don't like yer mug.

Mugs strike me, personally, as generally uninteresting - probably because I rarely drink hot liquids, and usually intake a larger quantity than your typical mug can hold. Still, a few mugs made it into my collection and stay there permanently. From left to right:

Bluth Company: Fox made this available on their web site early in the third season of Arrested Development, just as Michael Bluth began sipping from one at his desk on the show. Remember an easy way to build on your prop budget is to develop merchandise that works on screen as part of the show. Even so, I don't think there're too many of these around.

Oceanic Airlines: This belongs to the airline from Lost, and like the Bluth mug above, appealed to me as a prop replica. If it's something a character on the show would hold, I usually want one.

Drew Carey: This, on the other hand, appears to be a cast and crew gift, meaning there are very few around. Found it in a Salvation Army store in Pasadena.

MST3K: I inherited 2 Mystery Science mugs, one with Mike and one with Joel. Interesting, and just meaningful enough to hang around.

Oh - and Happy New Year! Hoping 2011 is a considerable improvement over 2010; it's already looking like an improvement.

'Big Bang' creators given science honors

'Big Bang' creators given science honors

French Fries Parmesan, please?

I have been very neglectful of this blog of late, but for good reason. I recently started a new job after 17 years in the same place. The curious thing is that, in my old position, I enjoyed writing at home for a change of pace. Now, I write in the daytime - incredibly satisfying, but it does burn up that creative urge. 'Nuff said.

In any case, I wanted to take a moment to share these images from my visit to Syracuse earlier this year. My mother and I went out to dinner to a small Italian restaurant in Liverpool (north of Syracuse) that she had long liked. While eating, I happened to notice something odd about the stained glass windows in the front of the restaurant. Take a look.

That's right - Fry guys from the old McDonaldland characters of the 1970's. At some point, plastic windows from a McDonalds were salvaged and placed in this restaurant. they make a nice enough accent, as long as you don't take close notice of the bug-eyed little sneaker wearing freaks jumping around in them.

That's all. More of a placeholder and a hello than anything real to say. I hope to be back soon.

Scott Pilgrim vs. The World: No Spoilers, and a lesson in swag

About a week ago, I had the opportunity to see the new movie Scott Pilgrim vs. The World. This is a good time to state my Rule #1 for this blog: no spoilers, ever. I have no interest in seeing something early to run home and write out my synopsis of the movie or show. If I like it, I like the way they told the story, and I don't think you're going to appreciate it better by reading my truncated summary. The most you'll get from me is "it's good. I think you'd like it if..." In this case, gamers, comic book fans, and music fans are all likely to enjoy this film. From the director of Shaun of the Dead and Hot Fuzz. 'Nuff said.

The funny thing is, only after leaving the theater and seeing the poster in the lobby did I realize I had picked up a ton of swag for the film at Comic Con. in fact, my fiancee and I stood in a line across from the convention center to each get a bag of stuff:
See? Stuff. They were giving it away right at the "stuff" sign. I didn't make it upstairs, so I don't know what kind of party / immersive environment they had going on up there, but it looks like more t-shirts were involved. Here's the free stuff they gave us:

T-shirts, a bag, post cards, free online stuff - all sorts of things. notice the bag says "Scott Pilgrim vs. Comic Con." These are the kinds of things a completist collector of Scott Pilgrim will be wanting to track down.

In fact, if you were really serious about wanting to collect all Scott Pilgrim stuff, you'd have to track down the Comic Con badge from somebody who stood on that line, because they stamped your ID with an oh-so-neat Scott Pilgrim rubber stamp to make sure you didn't come back in line the next day and get another bag of stuff.

If it sounds ungrateful of me to not know I already had all this stuff from Scott Pilgrim (or at least, maybe, that their promotion was unsuccessful in my case) it may help to consider all the free stuff that is given out at the San Diego Comic Con. To help, I laid it out on the living room floor and photographed it:
Free comic books, cards, magazines, buttons, t-shirts, patches, Dexter cheek-scar tattoos, trading cards, Mad Men paper dolls, Archie wedding invitations (both Betty and Veronica), etc. Somehow, I managed to be given four copies of a comic called "radical" over the week without realizing it. Granted, much of these are advertising flyers and catalogs, but it shows how the stuff adds up.

(Collectors note: even though I am not particularly interested in collecting the "Showtime" buttons for Dexter, Weeds, Nurse Jackie, and Californication, it does bug me that I got 3 Weeds buttons and no Nurse Jackie. Just a little bit of OCD manifesting itself...)

A lot of stuff, right? But that doesn't include all the bags I was given there, shown below (with a t-shirt from the "Green Hornet" car garage that I forgot to include above):

Some people list their Comic Con swag on Ebay and try to sell it all for 50, 100, even 200 dollars to recoup their expenses for attending - and I guess people do pay it. Let's face it, if you collect Mythbusters, there isn't all that much different stuff out there to collect, so you'll be wanting their oversized Comic Con bag.

Oh - and to be fair, the above didn't include the free stuff for The Big Bang Theory that I already pulled out into that collection:

No, I don't need four copies of the TV Guide - I'll probably end up giving or trading some to other collectors. But looking at all of this stuff, it occurs to me someone could have a very interesting collection of stuff if all they ever did was go to Comic Con every year and save all the free stuff they got. That would be an interesting cross-section of pop culture.

Hmm. I wonder where those free pogs I got there back in '93 are now...

Post# 150: Our "Secret" Identity Revealed

For our first 149 posts, fancollectorgeek has been curiously anonymous - "curiously" because the only people who likely noticed it was anonymous all knew who was writing it, and no one else likely cared. It has been easy enough to figure out who's writing, either from my Dad's obituary recently linked, or from the many links from the excellent (and personally inspirational) blog of Jim Fanning, Tulgey Wood that identify me by name.

The reason for this (however transparent) anonymity has currently been suspended, making this an excellent time to share the collectible, below, which bears my name:

Astronaut Edgar Mitchell was the sixth person to walk on the moon, in 1971. It also happens that his first and last name are the same as my first and middle - a coincidence, I'm named after my father's uncle, Edgar Mitchell Davis. Still, that coincidence was enough to make me very interested in the space program when I was a kid. I was only four years old when Mitchell walked on the moon during the Apollo 14 mission, but I vividly remember watching it on TV while visiting my grandmother's house in Akron, NY that summer. I had never heard of anyone that had any name in common with myself (well, unless I had heard of Edgar Allen Poe by that age), so I was very interested in his exploits.

When I heard that you could order an autographed photo from Mitchell's website, I decided I wanted to own one myself. Like actors like William Shatner and June Lockhart, many astronauts charge a premium for signed items. The high demand from fans who want to be sure they're getting the real thing makes it a very lucrative sideline for them. It's my understanding that for years Lockhart didn't do autographs at all until finally, in the early 90's, she acquiesced to sign at a Lost In Space convention in Los Angeles for the then unheard of price of fifty dollars a pop. Fans lined up by the hundreds keeping her busy the whole time she was there.

Now, if she was signing at the same rate that Mickey Rooney was (every 12 seconds, five signatures a minute) when he put his scribble on a Fox and the Hound photo for me, she cleared about fifteen thousand dollars an hour that day - slightly less if she took a break to stretch her wrist or get a drink of water.

Nice work if you can get it!

(Just for the record, Mickey Rooney charged 20 dollars a signature, and for charity. not bad).